How does a TV upscale content?
By inventing pixels that were never captured — a lower-resolution image has to be expanded to fill a higher-resolution panel, and how convincingly that is done is one of the biggest differences between a cheap television and an expensive one.
Why it is needed. A 4K panel has four times the pixels of a 1080p source and sixteen times that of standard definition. Most content is still not 4K, so the television is upscaling nearly everything you watch.
The approaches, in ascending order of quality:
Nearest neighbour, duplicating pixels. Fast and blocky.
Bilinear and bicubic interpolation, averaging neighbouring pixels. Smooth and soft, losing detail.
Edge-directed algorithms, detecting edges and interpolating along them rather than across, which preserves sharpness where it matters.
Machine-learned upscaling, now standard on premium sets. A model trained on pairs of low- and high-resolution images predicts plausible detail. This is genuinely better and it is also inference rather than recovery — the detail is invented, and on unusual content it can invent wrongly.
What else the processing chain does, which is frequently confused with upscaling: noise and compression-artefact reduction, which matters enormously for streaming and broadcast sources; detail and edge enhancement, which is where over-processing produces harsh haloed images; and colour and tone mapping.
Why the source matters more than the panel. Upscaling cannot recover information that was never there, and it amplifies what is there — including compression artefacts. A heavily compressed stream upscaled aggressively looks worse than a clean lower-resolution source handled gently. Bitrate matters more than resolution, which is why a 4K stream can look worse than a Blu-ray at 1080p.
Practical points: let the television do the upscaling if it is better than your source device, which is usually the case on a good set and not on a cheap one; turn off excessive sharpening, which is frequently on by default and creates halos; and disable motion smoothing for film content, which produces the effect people describe as looking like a soap opera.