How do microphones actually work?
By converting air pressure variation into an electrical signal — always through a thin diaphragm that moves with the sound, differing only in how that movement is turned into electricity.
The main types:
Dynamic. A coil attached to the diaphragm sits in a magnetic field; movement induces a current — a loudspeaker run backwards, and the two are genuinely interchangeable in principle. Rugged, needs no power, handles very loud sources, and is less sensitive to fine detail. The standard live vocal and drum microphone.
Condenser. The diaphragm forms one plate of a capacitor, with a fixed backplate as the other. As it moves, the capacitance changes, and that change becomes the signal. Far more sensitive and detailed, with better high-frequency response, and it requires power — typically 48V phantom power down the cable. The studio standard.
Electret, a condenser variant with a permanently charged material, needing only a small voltage. Cheap and tiny, and therefore in essentially every phone, laptop and headset.
MEMS, the modern version: a microscopic condenser etched into silicon alongside its own amplifier and frequently a digital output. This is what allows a phone to carry several microphones for beamforming and noise cancellation by comparing the timing between them.
Ribbon, using a thin metal ribbon in a magnetic field. Characteristically smooth, fragile, and sensitive to blasts of air.
Polar patterns, which matter more than most people realise:
Cardioid picks up mainly from the front — the usual choice for isolating a voice.
Omnidirectional picks up equally from everywhere, capturing more room.
Figure-of-eight takes front and back and rejects the sides.
Why your voice sounds better close up. Proximity effect boosts low frequencies as a directional microphone gets nearer the source — the reason broadcast voices sound rich, and why backing off thins the sound.
The single biggest improvement for anyone recording is not a better microphone but getting it closer and treating the room, since reflected sound is what makes recordings sound amateur.